Conf\u00e9renci\u00e8re en histoire de l\u2019art, mais aussi peintre et dessinatrice, je pratique essentiellement l’estampe depuis 2015.
Depuis vingt ans, j’explore de fa\u00e7on prot\u00e9iforme plusieurs th\u00e8mes qui se croisent et s’enchev\u00eatrent, avec en fil rouge la repr\u00e9sentation de la femme.
Les visages des anciennes courtisanes et des actrices oubli\u00e9es ressurgissent. A ces deux inspirations r\u00e9currentes s’ajoutent les cabinets de curiosit\u00e9 et l’imagerie scientifique les bondieuseries saint-sulpiciennes pas tr\u00e8s catholiques, et une exploration de l’\u00e9rotisme qui m\u00e9lange absolument tout.<\/p>\n","protected":false},"excerpt":{"rendered":"
Conf\u00e9renci\u00e8re en histoire de l\u2019art, mais aussi peintre et dessinatrice, je pratique essentiellement l’estampe depuis 2015.
\nDepuis vingt ans, j’explore de fa\u00e7on
\nprot\u00e9iforme plusieurs th\u00e8mes qui se croisent et s’enchev\u00eatrent, avec en fil rouge la repr\u00e9sentation de la femme.
\nLes visages des anciennes courtisanes et des actrices oubli\u00e9es ressurgissent.
\nA ces deux inspirations r\u00e9currentes s’ajoutent les cabinets de curiosit\u00e9 et l’imagerie scientifique
\nles bondieuseries saint-sulpiciennes pas tr\u00e8s catholiques, et une exploration de l’\u00e9rotisme qui m\u00e9lange absolument tout. <\/p>\n","protected":false},"author":2,"featured_media":1596,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[28],"tags":[27],"class_list":["post-1600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposition","tag-exposition"],"rttpg_featured_image_url":{"full":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme.jpg",794,1123,false],"landscape":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme.jpg",794,1123,false],"portraits":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme.jpg",794,1123,false],"thumbnail":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme-150x150.jpg",150,150,true],"medium":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme-212x300.jpg",212,300,true],"large":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme-724x1024.jpg",724,1024,true],"1536x1536":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme.jpg",794,1123,false],"2048x2048":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme.jpg",794,1123,false],"mailpoet_newsletter_max":["https:\/\/lakelidone.com\/wp-content\/uploads\/2024\/02\/La-Kelidone-CELINE-EXCOFFON-15-mars-au-3-avril-2eme.jpg",794,1123,false]},"rttpg_author":{"display_name":false,"author_link":"https:\/\/lakelidone.com\/index.php\/author\/sylviepeyronnet\/"},"rttpg_comment":0,"rttpg_category":"Exposition<\/a>","rttpg_excerpt":"Conf\u00e9renci\u00e8re en histoire de l\u2019art, mais aussi peintre et dessinatrice, je pratique essentiellement l'estampe depuis 2015. Depuis vingt ans, j'explore de fa\u00e7on prot\u00e9iforme plusieurs th\u00e8mes qui se croisent et s'enchev\u00eatrent, avec en fil rouge la repr\u00e9sentation de la femme. Les visages des anciennes courtisanes et des actrices oubli\u00e9es ressurgissent. 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